Untitled, Along route 200, East of Winnett, Montana, 2010
Courtesy of Craig Carlson, San Diego.
Tangle Tree Series: Discretion, 2009
Courtesy of Jeanne Dunn, San Diego.
Opaque Display #4: Splashing (for Richard Serra), 2010
Courtesy of Matt Hebert, San Diego.
In Tapestry, 2010
Courtesy of Mary-Ann Luera, San Diego.
Letter Portrait Series, 2003
Courtesy of Susan Merritt, San Diego.
Desert Discovery Center, 2007
Courtesy of Kotaro Nakamura, San Diego.
Courtesy of Kate Palese, San Diego.
Lightness of Being, 2010
Courtesy of Gail Roberts, San Diego.
Skin Series: Bracelet, Arm, 2001
Courtesy of Sondra Sherman, San Diego.
Courtesy of Mark Siprut, San Diego.
Jackrabbit Homestead Project, 2005-2008
Courtesy of Kim Stringfellow, San Diego.
recollection is the third in a year-long series of exhibitions that feature the work of faculty from the School of Art, Design, and Art History at San Diego State University. The artists included work in a variety of materials, sculpture, printmaking, painting, ceramics, and video installation—a diversity that is representative of the School’s program.
Richard Baker received a BFA degree from the Kansas City Art Institute and a MFA degree from the University of Cincinnati. He has exhibited extensively in this country, in Chicago, Denver, San Francisco, Tucson, and in Los Angeles at the Los Angeles County Museum of Art, Los Angeles Municipal Art Gallery, Los Angeles Institute of Contemporary Art, Cirrus Gallery, Artspace, Fine Arts Gallery, UC Irvine, and Fisher Gallery, USC. He has also exhibited in Hakone and Tokyo, Japan, Venice, Italy and Berlin, Germany.
Mr. Baker’s work is included in permanent collections at the Los Angeles County Museum of Art, California Center for the Arts, Esconcico, CA, Tokyo Central Art Museum, as well as numerous private collections. He has received critical reviews of his work in publications including Art News, Images and Issues, LAICA Journal, ArtWeek, Los Angeles Times, and Japan Times. He has been a member of the stable of artists at Cirrus Gallery in Los Angeles since 1981.
Michele Burgess works in printmaking, painting, sculpture, and book art. She is co-director of Brighton Press—an internationally known publisher of limited edition fine press artist’s books—where she creates her artist’s books and collaborates with other artists and poets. In 2009, her book, Sleeping Inside the Glacier, her third collaboration with poet Sandra Alcosser, was included in the “Book as Art” exhibition at the National Museum of Women in the Arts in Washington, D.C. and the McMullen Museum of Art in Boston, Massachusetts. A retrospective of her work was held in 2004 at the Museum of American Art in Giverny, France, and traveled to the Mandeville Special Collections Library at the University of California, San Diego.
Her collaborative work with poets and artists was featured in an exhibition of Brighton Press’s work in book form and other media in 2004 at the Oceanside Museum of Art, in Oceanside, California. Burgess’s work is in public collections across the country, including the Achenbach Foundation for the Graphic Arts in San Francisco, Fresno Art Museum, Harvard University, Library of Congress, Indiana University, Stanford University Library, the Minneapolis Institute of Art, the National Museum of Women in the Arts, the Newberry Library in Chicago, the New York Public Library, and the Toledo Art Museum.
Burgess has been exhibiting actively for 30 years and has served as guest lecturer, curator, and artist-in-residence at numerous museums, universities, and arts organizations. Her work is represented by the Rift Gallery in Rinconada, New Mexico. She received her BA in Fine Arts from the University of San Diego and an MFA from the Cranbrook Academy of Art.
Richard BurkettRichard Burkett
Richard Burkett received the B.A. degree in Art from Lawrence University in 1973, and the M.F.A. degree in both ceramics and photography from Indiana University in 1986. For ten years after graduating from Lawrence University he ran his own pottery studio, the Wild Rose Pottery, in Bainbridge, Indiana, making salt-glazed stoneware and porcelain. Since receiving his M.F.A. he has taught ceramics at the University of Wisconsin-Madison, and at San Diego State University since 1989. His work in clay has been shown internationally, and ranges from functional wheel-thrown pottery to sculptural objects using a wide variety of forming processes and media.
Richard Burkett has traveled extensively in Ecuador several times over the past fifteen years, researching and photographing Ecuadorian potters, with a focus on documenting indigenous pottery cultures in the Amazon basin. One of the first ceramists to make extensive use of computers and the Internet, Burkett has lectured internationally on ceramics and the Internet at conferences in Stockholm, Sweden and Helsinki, Finland. He has traveled to Jingdezhen, China to study porcelain making in this city near the original source of porcelain clays. He is the author of HyperGlaze, educational glaze calculation software for artists, students and teachers, and the co-author of the sixth edition of Ceramics: A Potter’s Handbook, one of the most widely used ceramics textbooks. Richard Burkett recently curated an international group of forty porcelain artists and wrote essays for the book Porcelain Masters: major works by leading artists.
Joanne Hayakawa was born and raised in southern California. She received a BA degree from the University of California, Santa Barbara, and a MFA from the University of Washington, Seattle. She has taught at San Diego State University since 1982. Her work has been exhibited throughout the country in invitational as well as juried exhibitions. She has had solo exhibitions in Tampa, Florida, Los Angeles, Newark, Delaware, Knoxville, Tennessee, and San Diego (most notably at Quint Contemporary Art, La Jolla, Canon Gallery, Carlsbad, California, and Hyde Gallery, La Mesa, California. Her work has been included in many books, periodicals, and has been collected by private and public agencies including the City of San Diego and the City of Spokane. She has received critical reviews from Robert L. Pincus, Elaine Levin and Peter Frank. Finally, she has lectured on her work and public art most recently on the west coast and Italy, Faenza and Cortona.
For the past four years, Joanne Hayakawa has also served as one of fifteen Commissioners for the San Diego Commission for Art and Culture, invited by Victoria Hamilton, Executive Director of the Commission and appointed by Mayor, Jerry Sanders. As a Commissioner, she also sits on the Public Art Committee and The Strategic Outreach Committee and Communications Advisory Committee.
Richard Keely is an artist and educator from Southern California. Originally trained as a painter Richard’s work during the last fifteen years has turned towards sculpture, photography and installation. With the sculptural work Richard is concerned with transforming ordinary objects into visually dense wall pieces that evoke an array of emotive possibilities. Richard’s Installation projects have been collaborations with San Diego artists Lynn Hendrick and Anna O’Cain. With these installations Keely, Hendrick, and O’Cain explore ideas concerning the visceral side of accumulating, storing, preserving, and communicating ideas and information.
Richard’s work has a national reputation including recent solos exhibitions at gallery 4016 in Los Angeles and CAD/XO Gallery in Chicago and recent collaborations with Anna O’Cain at Ben Maltz Gallery (Otis School of Art, Los Angeles), Art Around Adams and the Spruce Street Forum in San Diego. Additional collaborations with O’Cain include INSITE 2000 in San Diego and a Ceremonial performance at Beyond Baroque in Los Angeles. Richard has also exhibited his work and given lectures at several well-known Universities and has been a “Visiting Artist” at Oberlin College and Montana State University. In 1996 he was awarded a grant from Art Matters in New York. Richard has traveled extensively throughout Europe, Asia, and Africa and has lived and studied Chinese painting in Taipei, Taiwan. Currently Richard is living in San Diego CA and is an Associate Professor of Art at San Diego State University, where he teaches sculpture for the School of Art, Design and Art History.
Arzu Ozkal is a Turkish born media artist and designer. Her practice engages with different interpretations of the body and its relationship to the environment. She raises questions about dogmas, traditions, laws, and patriarchal value systems through videos, public interventions and performances. Ozkal received her MFA from the Department of Visual Studies at University at Buffalo (SUNY) and BFA from Bilkent University.
Her work has been exhibited broadly in exhibitions and festivals nationally and internationally. Prior to joining San Diego State University as Assistant Professor of Graphic Design in Fall 2011, she spent three years on the faculty in the Art Department at Oberlin College teaching new media practices.
Ms Struble is a painter whose work has dealt with decaying corners of Baltimore, Brooklyn and Barcelona through a socio-environmental lens. Her last show, Landsmen, opened in New York at Lombard-Freid Projects in 2011, and explored the Brooklyn Navy Yard as well as transformed military sites in the Marin Headlands where she recently completed a residency at the Headlands Center for the Arts. Her large, colorful oil paintings have been shown at the Cleveland MOCA, at Angles Gallery in Santa Monica, and Artspace in New Haven, among others and Ms Struble has completed residencies at the Vermont Studio Center, Can Serrat in Catalonia, and the Andratx Cultural center in Mallorca. She has taught at Common Ground in New York, through the Consortium of Advanced Studies in Barcelona, and has been a visiting artist/lecturer at the University of Wisconsin Madison and the University of Illinois Chicago. She received an MFA in Painting from Yale University in 2006.
Intersection is the second in a year-long series of exhibitions that feature the work of faculty from the School of Art, Design, and Art History at San Diego State University. The artists included work in a variety of materials, including sculpture, graphic design, interior design, painting, metals, photography, and video installation.
Craig Carlson became interested in photography in his early teens and subsequently worked at student publications from high school through his university studies. Carlson received his B.A. from San Diego State University in 1973 and his M.A. from Humboldt State University in 1976.
His professional work for editorial, advertising, and commercial clients spans over thirty-five years. Carlson has taught photography for thirty-five years in several colleges throughout San Diego County, including teaching Creative Photography and Digital Imaging in the School of Art, Design, and Art History at San Diego State University for the last sixteen years.
He is a manuscript and book proposal reviewer for Focal Press and the author of Look Before You See, a self-published photography text. Carlson has exhibited his photographs since 1970, and his work is included in numerous corporate and private collections. For the last fourteen years, he has concentrated on photographing the Western United States. His most recent work has taken him to the eastern plains of Montana.
Jeanne Dunn’s paintings ask questions about things that lie hidden from view in social and natural landscapes. An earlier series addressed human relationships in observable social settings. Her current work explores ideas of path, direction, and one’s internal compass, citing the natural landscape.
Dunn has art degrees from the University of Wisconsin, Madison, and San Diego State University. She has won awards for her paintings and has exhibited in Los Angeles, New York, Cambridge (UK), Budapest, Istanbul, and at the Musée Rochefort in Brittany, France. She teaches Life Drawing and Painting in the School of Art, Design, and Art History at SDSU. In the last two years she has been awarded an international artist residency at the Hungarian Cultural Center in Budapest and a fellowship to the Maryland Institute College of Art’s Artist Residency Program at Rochefort-en-Terre, France. Her studio is in the North Park community of San Diego.
Susan Merritt is head of the Graphic Design Program in the School of Art, Design and Art History at San Diego State University (SDSU) and cofounder with Calvin Woo of the Design Innovation Institute (Dii), a nonprofit organization dedicated to fostering awareness and appreciation of design as a way of enhancing and enriching life. As a design principal of CWA, Inc. she has been involved in a wide range of design projects from identity systems to environmental graphic design.
Typography and graphic design history, including the history of the book, are among Merritt’s areas of specialization. Professor Merritt’s handcrafted, one-of-a-kind and limited-edition books are in private and public collections including Special Collections at San Diego State’s Love Library, the New York Public Library, and Wake Forest University’s Z. Smith Reynolds Library.
Merritt has served on the board of the San Diego chapter of the American Institute of Graphic Arts (AIGA), on the chapter’s advisory board, education committee, and as curriculum director on AIGA’s national Creativity Kits Project. She is founder of the AIGA Student Group at SDSU and served as faculty advisor for many years. She is a Friend of the International Council of Graphic Design Associations (ICOGRADA) and a member of Association Typographique Internationale (ATypI).
Professor Merritt did post graduate work at the Basel School of Design in Basel, Switzerland, where she studied with Armin Hofmann, Wolfgang Weingart, André Gürtler, and Kurt Hauert, among other design luminaries. While living in Europe for six years, followed by five years in Hawaii, Professor Merritt developed a deep appreciation for different cultures and their communities. She continues to travel and research the role of visual communication design within the context of culture.
Merritt has received numerous travel and research grants, including a John and Jane Adams Humanities Grant and faculty development grants to continue research in the history of graphic design. Professor Merritt is coauthor, with Jack Davis, of The Web Design WOW! Book, which was published in 1998 by Peachpit Press, a division of Addison Wesley Longman. She is the author of the ancillary materials for Meggs’ History of Graphic Design, which includes an instructor’s manual and student study guides, published by John Wiley & Sons.
Kotaro NakamuraKotaro Nakamura
Kotaro Nakamura is Associate Professor in the Interior Design Program at San Diego State University. He received his Bachelor of Science in Environmental Engineering from Kanto Gakuin University, Japan in 1977 and his Master of Arts in Environmental Design from San Diego State University in 1980.
Nakamura has been a member of the American Institute of Architects since 1998 and has served on the United States Green Building Council since 2007. Since 1983 he has been a Principal Architect at Roesling Nakamura architectural firm, and since 1980 he has taught in the School of Art, Design and Art History at San Diego State University. He currently serves on several community boards, including the San Diego Public Arts Advisory Board.
Nakamura has completed several commissioned design projects, including the San Pasqual Academy Housing in 2010; the Santa Monica Mountains Intern Center in 2008; and La Costa Canyon High School in 2000; and he is the recipient of many awards for his work on energy efficient and sustainable design projects.
I was born in the San Fernando Valley in 1957. My mother was a traditional dog trainer, complete with pinch collar and rolled up newspaper; my father was a drunk and wanted by several southern states. Given those career paths, I chose art making and dog training.
To augment her dog passion, my mom worked for the Air Force. As a result I have lived in almost every state south of the Mason Dixon line. Eventually we landed in San Diego, and knowing a good thing when we saw it, stayed here, despite the lack of air force.
I went to SDSU; my mom died while I was there. I graduated with a Master’s Degree in Fine Art and moved to American Samoa, where, like Margaret Mead, I continued to come of age.
When I returned to San Diego I was introduced to positive reinforcement learning theories. In considering how fur-bearing mammals learn new information I have learned a great deal about training humans. “Mammals is Mammals”. I am an ardent fan of Ian Dunbar and Robert Mager and try to use positive reinforcement in all areas of my life.
I continue to make objects, as I don’t seem to be able to NOT make objects. I now also get a great deal of satisfaction from creating design problems for my classes. The two vie for my creative focus.
So dogs and art continue to be paths I trod. I have managed (so far) not to use a pinch collar, not to be wanted in any Southern states, and not to be a drunk. So far, so good.
I teach future teachers about art at SDSU and teach dogs to be civil at various parks. I do a fair job of not getting the two confused, and I think I’m pretty damn lucky. I see changes in both populations, and the humans of both populations call years later thanking me, so I guess it’s working.
Gail RobertsGail Roberts
Roberts’s work has been exhibited nationally and internationally including the Galeria Nacional in San Jose, Costa Rica, Musee Rochefort-en-terre in Brittany, France, and the Kinemacolor Building in Victoria, Canada. Her work has been exhibited throughout the United States and included in permanent collections at the Oakland Museum, Museum of Contemporary Art, San Diego, San Diego Museum of Art, Lux Art Institute as well as numerous corporate and private collections. She is currently represented by Luis De Jesus Los Angeles and has a forthcoming solo exhibition in April 2011. Roberts has received several awards including the San Diego Art Prize 2010, Established Category, California Arts Council Fellowship and residency fellowships in France, Costa Rica and Ireland. She has completed public art commissions at the Chicago Public Library, Lux Art Institute, and at the San Diego International Airport. Gail Roberts received her BFA and MA at the University of New Mexico in Albuquerque and is a Professor of Art Emerita at San Diego State University.
Sondra ShermannSondra Sherman
Sondra Sherman’s work is exhibited and published in Europe as well as the U.S. She has been the recipient of various awards including a Tiffany Foundation Emerging Artists Award, two RI Council on the Arts Individual Artists Fellowships, PA Council on the Arts Individual Artists Fellowship, NEA Regional Artists Fellowship, and a Fulbright Scholarship for study abroad. Sondra received the Diplom (MFA equivalent) from the Academy of Fine Art, Munich, Germany. Her work is included in the collections of the Metropolitan Museum of Art, Philadelphia Museum of Art, Museum of Fine Arts Boston, Museum of Art and Design - New York, Smithsonian American Art Museum, RISD Museum, Turnov City Museum in the Czech Republic, and Myers School of Art at the University of Akron Ohio.
Mark Siprut is an educator, artist and designer. In addition to his formal studies in photography and printmaking, his current creative research is in time-based, interactive and electronic media. His work has been exhibited internationally. He promotes collaborative, interdisciplinary, and intercultural applications to visual communication. Siprut is the author of the Adobe Photoshop Handbook v3, published by Random House. In 1995-96 he was a Senior Fulbright Scholar in Graphic Design at Bilkent University in Ankara, Turkey and in 2003 and 2006 he taught at Anadolu University in Eskisehir, Turkey.
He is currently an Associate Professor in the Multimedia Emphasis Area in the School of Art, Design and Art History at San Diego State University (SDSU). He is also the School’s academic advisor and School Liaison for international studies in Art at SDSU. He earned his BA and MA in Art at Humboldt State University and his MFA in Art at University of California, Santa Barbara.
Siprut’s current interactive work is inspired by his role as a single parent of two pre-teen boys, as well as his interest on body language, body movement, and dance. The interactive game-like nature of his work is heavily influenced by the struggles of parenthood and his immersion into the electronic gaming culture, which is so popular among contemporary youth.
Kim StringfellowKim Stringfellow
Kim Stringfellow is an artist/educator residing in Joshua Tree, California. Her work and research interests address ecological, historical, and activist issues related to land use and the built environment through hybrid documentary forms incorporating writing, digital media, photography, audio, video, installation, and locative media. She teaches in the Multimedia area as an Associate Professor in School of Art, Design, and Art History at San Diego State University. She received her MFA in Art and Technology from the School of the Art Institute of Chicago in 2000.